Opinion

Just when you think our South Valley can’t get any lovelier now that our golden hills have turned green, out of the cold and rain of winter (well, sort of—it’s been a strange year!) burst forth brilliant yellow flowers spreading like soft coverlets over our hills and vales.

The amazing story of Carole King is an inspiring one, showing what talent and drive could do in the world of popular music back in the ’50s, ’60s and ’70s. She has won four Grammys, been inducted into the Songwriters Hall Of Fame and was the first woman to receive the Library Of Congress Gershwin Prize for Popular Song. Her list of achievements goes on and on.This musical, from the book by Douglas McGarth, bundles songs she wrote and some she co-wrote with others for an entertaining evening of great music.Take some of her words, add some of her music and Carole King will meld it all into something Beautiful. That’s what happened with the songs that King (played by an outstanding Abby Mueller) created in her brilliant, sometimes jarring life. Beautiful begins in 1961 with songs by King and her husband, Gerry Goffin (a solid Liam Tobin) and friendly competitors Barry Mann (a pleasant Ben Frankhauser) and Cynthia Weil (the exceptional Becky Gulsvig), then moves to the early ’70s when King leaves a bad marriage and reluctantly writes and records one of the most successful albums of all time, Tapestry, and realizes her dream of performing at Carnegie Hall.Starting in the late ’50s as a strong-willed 16-year-old, she convinces the tough agents in the songwriting field of Broadway to listen and appreciate her music. She churned out pop, rock, and blues songs with Goffin for groups like the Shirelles, Drifters and the Righteous Brothers, creating hits including “Will You Still Love Me Tomorrow,” Splish Splash,” “Stupid Cupid,” “Yakety-Yak,” “Love Potion # 9” and “Some Kind Of Wonderful.”She went on to become successful singer-songwriter on her own with “(You Make Me Feel Like) A Natural Woman,” “It’s Too Late,” “You’ve Got A Friend,” “Up On The Roof” and “I Feel The Earth Move” and many more. To be sure, Carole King remains a legend in the recording industry.Director Marc Bruni keeps this fine cast moving in a tightened up production from the 2013 version, which includes one additional song.Creativity is the watchword for scenic Designer Derek McLane with his innovative, mobile set that smoothly changes before your eyes. A grand piano effortlessly slides off center stage to be replaced with two-storey offices and living rooms as needed.Abby Mueller delivers King’s music as close as you can get to the real thing.  ‘Beautiful’  Orpheum Theatre, 1192 Market and Eighth streets, San FranciscoPerformances through Sept 18Tickets: $45-$212For reservations and information: (888) 746-1799, or visit www.shnsf.com

I'm not sure how it happened, but apparently I have failed as a parent just by virtue of being American. According to the latest parenting trend, many cultures are better parents than Americans - ergo, I am a parenting failure (and yes, in case you were wondering, I have been waiting years to use the word "ergo" in a column).