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The 47th TheatreWorks Silicon Valley season starts out with a strong production that fits well with current events. Confederates is set during a presidential campaign with a “snag.” The people who find it, work it, providing an example of how far the media will go get the story while staying within the law. It’s a story of how one almost innocent mistake can upset an entire future. Superbly written by playwright Suzanne Bradlbeer, three magnificent actors show how they manage the situation at hand.

Q:Since joining this company a few weeks ago, I have noticed a lot of areas that need improvement.  However, I’m not sure how honest I should be in sharing my views with management. In my previous job, I was always very open about my opinions.  If I saw a problem, I simply described it to my boss and proposed a solution, but I’m not sure this would be welcomed in my new organization.  What do you think?

The amazing story of Carole King is an inspiring one, showing what talent and drive could do in the world of popular music back in the ’50s, ’60s and ’70s. She has won four Grammys, been inducted into the Songwriters Hall Of Fame and was the first woman to receive the Library Of Congress Gershwin Prize for Popular Song. Her list of achievements goes on and on.This musical, from the book by Douglas McGarth, bundles songs she wrote and some she co-wrote with others for an entertaining evening of great music.Take some of her words, add some of her music and Carole King will meld it all into something Beautiful. That’s what happened with the songs that King (played by an outstanding Abby Mueller) created in her brilliant, sometimes jarring life. Beautiful begins in 1961 with songs by King and her husband, Gerry Goffin (a solid Liam Tobin) and friendly competitors Barry Mann (a pleasant Ben Frankhauser) and Cynthia Weil (the exceptional Becky Gulsvig), then moves to the early ’70s when King leaves a bad marriage and reluctantly writes and records one of the most successful albums of all time, Tapestry, and realizes her dream of performing at Carnegie Hall.Starting in the late ’50s as a strong-willed 16-year-old, she convinces the tough agents in the songwriting field of Broadway to listen and appreciate her music. She churned out pop, rock, and blues songs with Goffin for groups like the Shirelles, Drifters and the Righteous Brothers, creating hits including “Will You Still Love Me Tomorrow,” Splish Splash,” “Stupid Cupid,” “Yakety-Yak,” “Love Potion # 9” and “Some Kind Of Wonderful.”She went on to become successful singer-songwriter on her own with “(You Make Me Feel Like) A Natural Woman,” “It’s Too Late,” “You’ve Got A Friend,” “Up On The Roof” and “I Feel The Earth Move” and many more. To be sure, Carole King remains a legend in the recording industry.Director Marc Bruni keeps this fine cast moving in a tightened up production from the 2013 version, which includes one additional song.Creativity is the watchword for scenic Designer Derek McLane with his innovative, mobile set that smoothly changes before your eyes. A grand piano effortlessly slides off center stage to be replaced with two-storey offices and living rooms as needed.Abby Mueller delivers King’s music as close as you can get to the real thing.  ‘Beautiful’  Orpheum Theatre, 1192 Market and Eighth streets, San FranciscoPerformances through Sept 18Tickets: $45-$212For reservations and information: (888) 746-1799, or visit www.shnsf.com