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Daddy Long Legs brings us a delightful moment of time in theatre. Written in 1912 by Jean Webster (a grandniece of Mark Twain), Daddy Long Legs has been made into a number of movies and plays when John Caird, famed director of Les Miserables adapted the classic novel into a musical with Paul Gordon handling the music and lyrics. A story about an orphan whose education is a sponsored by a benefactor who does not want to be involved other than to receive a monthly progress report. Sounds like a cross between Great Expectations and My Fair Lady.A well done production directed by the esteemed Robert Kelly, with a super cast including Hilary Maiberger as Jerusha Abbott, Daddy Long Legs is delightful and charming. The story provides her character a spirit and magnetism that gives her performance life. Maiberger carries the show; she sings beautifully and matures believably into a delightful young woman. Her secret benefactor, Jervis Pendleton, (Derek Carley) does an admirable job supporting her.Of course, predictably, all’s well that ends well with Jerusha captivating Jervis with her wit and innocent wisdom in her letters.Musical Director William Liberatore carries the musical accompaniment with his group with his usual perfection. Joe Ragey’s super library set using books and trunks as props for the scenes is imaginative and holds attention. It blends with Steven B. Mannshardt’s subtle lighting to make for scenes that are soft and creative.Daddy Long Legs is a delightful charmer.  ‘Daddy Long Legs’Book and Direction by John CairdFrom a novel by Jean WebsterMusic and lyrics by Paul GordonLucie Stern Theatre, 1305 Middlefield Rd, Palo AltoPerformances through: Dec 31Tickets: $30-$80  Details: call: (650) 463-1960, or visit www.theatreworks,org

You feel you are sitting on a rainbow and are fascinated with the edgy Tandy Beal’s take on The Nutcracker, in Nuts Re-Mixed! Here is entertainment that sits outside the box that gives a uniquely serendipitous experience.

I think this is the third year that you get to wake up to one of my columns from your tryptophan-induced coma (it is obligatory to use that line every year) and reach for your coffee in a daze.I feel like I’m already in a daze recently with the elections, attending meetings for great things to come and celebrating people and accomplishments. In that daze, I swing back and forth between a dream and a nightmare; but I think it’s very much a net positive.Sometimes I feel like I’m in a dream when I think about how the Granada Theater was saved and is being transformed. Honestly, I never thought there was even the slimmest chance it would ever open for business again. Not only is it going to be open, but soon it will be so cool that it sends the accomplishment needle off the dial.It will have terraced dinner seating around a stage, like you see in those old movies where someone like Benny Goodman’s big band is playing and everybody’s dancing and enjoying fancy dining and drinks.All this in our old theater that had succumbed to the smell of mold and tobacco smoke and probably not the best place to be in an earthquake.Newly renovated, the smell of food and wine has replaced the mold and smoke and I’d rather be there than in one of my home’s doorways during a major temblor.Many of us had dreamed of a boutique hotel downtown. “Long shot,” we mused. Now even that dream comes true.We will have a new three-story hotel with lots of retail space. But get this—the building comes pre-loaded with shops! The owner/developer will base his wedding planning business there with supporting shops like a florist, as well as places to get your wine and dinner. Many of the key ingredients in these shops will come from packages with “Leal” on the label.Frank Leal’s constellation of symbiotic businesses make the theater and boutique hotel feasible, where other developers crunched numbers and walked away shaking their heads.I fully realize that this is not a dream and this is all happening. Two things never dreamed possible became reality; not only will I see them in my lifetime but I will see them soon.Not only am I not dreaming, but I also don’t have to wait for the next nugget. Prova, the new restaurant headed up by Chef Sal Calisi (of Odeum), should be open as you read this.For those familiar with Chef Calisi’s work at Odeum, Prova—located on Monterey Road where Slim’s used to be—will represent a journey down a slightly different path but with no change in creativity or quality at the destination.The food will be of the small plate variety with interesting items from around the world, with unique beers and wines with craft cocktails the house specialty. Like so many other fine restaurants, most of what comes out of the kitchen will not be liberated from a package but made right there.So wake up now and go out and do some shopping and more dining where we live.Please shop and dine locally, and do it often.John McKay is a Morgan Hill resident, president of the Morgan Hill Downtown Association, city planning commissioner and co-founder of the Morgan Hill Tourism Alliance.

The theatre department of Foothill College with director Bruce McLeod at the helm has taken on Thornton Wilder’s second Pulitzer prize play, Our Town, a sweet simple story of life as it really is in the fictional town of Grover’s Corners in the early 1900s. Using a plain set with just a table and some chairs and a ladder, the story covers childhood, courtship, marriage and death in three acts. The story brings the folly, foibles, happiness and tragedy of everyday life to the top of the rim of existence and touches the imagination.

Disney took the delightful fairytale of Beauty and the Beast and created a beautiful animated movie that transported children and adults to another time and place. Broadway by the Bay has taken the Broadway show with the divine music of Alan Menken and clever lyrics by Howard Ashman and Tim Rice and brought a delightful presentation to the stage in Redwood City.Everyone knows the engaging tale in which Belle finds herself in an enchanted castle where the beast and all the inhabitants are trapped in an animated state because of a witches’ cruel curse which only Belle (unbeknownst to her) can break. Of course, as in all fairy tales, everyone lives happily ever after. But getting there is the fun part.The multiple Tony Award production recreates all the characters from the movie from Lumiere the living candlestick, to the clock, teapot, chest of drawers and delightful rug. Wrapped up in Kelly James Tighe’s fine direction with Adam Elsberry’s creative choreography is a fast moving production that will keep everyone’s attention throughout.A talented cast with Anya Absten as the spunky Belle, John Melis as the obnoxious Gaston, Warren Wernick as Lefeu, Maureen Duffey Frentz as Mrs. Potts, Ray D’ambrosio as Cogsworth, Brendon North as the lovable Lumiere and Daniel Barrington Rubio as the Beast perform as a huge ensemble with great delivery and resilient voices.The impressive orchestra brings in a tight, crisp version of this beloved story. Alan Menken’s music and Howard Ashman, (who died during the making of the original production) and Tim Rice’s lyrics ran away with Academy Awards for the movie and Tonys for the Broadway version with “Be Our Guest,” “Beauty and The Beast,” and “Something There.”The outstanding 18-piece orchestra under the baton of Sean Kana gives the show the professional touch.The the crew backstage also performs heroically. Technical and sound designer Jon Hayward impressively gets his crew to move scenes with absolute ease. Lighting designer Aaron Spivey is always on cue. Costumes by Angela F. Lazear and Leandra Watson are pleasing and colorful.Grab the kids and go and be enchanted. ‘Disney’s Beauty and The Beast’Fox Theatre, 2215 Broadway St, Redwood CityPerformances through Nov. 20Information: (650) 579-5565Or visit: www.broadwaybythebay.org

So much divisiveness was brought out locally during the 2016 election. The influence of the digital news media and social media was especially highlighted, which reflected an ongoing concern of mine.In digital news media, we now have the ability to post a comment with no fact checking or filtering for maliciousness, and thousands can see it instantly. Social media seems to be used effectively on the national stage, but we don’t yet understand the reach of it locally; I certainly believe in its potential. But again, there is no checking for facts or malicious intent.One thing that has been pointed out in many contentious public digital conversations is the lack of participation by our local elected and appointed officials, and city staff. This is generally a true statement.Until just a few days ago I rarely participated in public digital conversations. The reason was, early on I was misquoted and the piling on began; I didn’t step in to defend myself and it seemed to take on a life of its own. I then tried to defend my comments and that incited an even greater response. As much as I may not like being misquoted—it comes with the territory of being a city official—what I don’t like is the piling on and mean-spirited dialog that can so quickly ensue.So I refrain from engaging in public digital conversations because I feel no matter what I say there is no effective way of participating. I am tired of it, and now there is the cyber bullying.I have now been the suggested target for groups to protest at planning commission meetings when the issue did not include my commission work and there were efforts to disrupt my other community efforts.Cyber bullying is not just for children (do a search on adult cyber bullying).“Cyber bullying, like traditional bullying, involves an imbalance of power, aggression, and a negative action that is often repeated.”– Violence Prevention Works.How do we end rampant propagation of misinformation and hostile attacks in the digital realm? Participate yourself and support others in a civil manner. If attacked, provide support and remember to continue to use facts and remain civil. Remember that it’s not just about getting your point across; it’s also about how you do it.Let’s shine a light on those places where cyber bullying takes place. Take a screenshot of inappropriate behavior, particularly when you think that your post might be deleted by a biased moderator. Send those screen shots to: [email protected]. A website may be available to post these screenshots soon.So much has been said about the physical Morgan Hill, but what about the spirit and culture?I am confident the concerns of many issues in this election will be alleviated over time. What I am sure of right now is there has been an unpleasant shift in the spirit and culture within the digital realm in Morgan Hill.Isn’t how we treat each other just as important as issues like the concerns about how our community develops? Isn’t honesty and civil treatment more important than some focused issue?If we can get back to more honest and civil dialogues in our public digital conversations, I will certainly engage more. I hope others will too.John McKay is a Morgan Hill resident, city planning commissioner, president of the Downtown Association and co-founder of the Morgan Hill Tourism Alliance. 

The Lion King’s National Touring Company roared into San Francisco with all the creativity, color  and excitement the show has always given audiences. A big part of its success is Julie Taymor’s genius direction, which won her Tony Awards in 1998 for direction and costume design. She also was the mask/puppet co-designer and composer of additional music and lyrics.

I have a personal policy of not responding to comments regarding any of my writings or posts in social media. As a City Planning Commissioner and one who is involved in several aspects of the community, I have to hold myself to the highest level of behavior (and it’s pretty much just who I am). In my experience, even my most benign response can quickly devolve into a hostile conversation led by those who don’t adhere to a civil dialogue or resist twisting words. Too bad really, since I do believe in a good conversation.So I have broken my silence in responding here because I just cannot sit and watch some of the misinformation propagated by so few that is seen by so many.Mark Grzan has insisted on misinforming others about the Agricultural Preservation Set Aside; and yes, he is the author of the gross example of the misinformation I mentioned in my last column.I want to introduce simple facts if I could, so here is the exact Agricultural Preservation Set-Asides language:Policy CNF-3.14 Agricultural Preservation set-Asides. Set aside at least 300 allotments for housing that may be applied anywhere in the City through 2035. Recipient projects must directly establish permanent agricultural conservation easements within the City Limits or within the City’s Priority Agricultural Conservation Area.Zoning Section 18.78.060.D.1 adds: Easements must be established within the City’s Sphere of Influence and in a manner consistent with the Citywide Agricultural Lands Preservation Program. The number of allotments granted will be commensurate with the community benefit obtained from the resulting preservation of agricultural lands. No more than 35 set-aside allotments are available for agricultural preservation projects within a single year.Let me interpret a little here, from the top.“Allotments”: an allotment is the permission to apply to build a residential dwelling unit. An allotment does not assure the right to build; you must still meet several criteria before you have the right to begin building. One allotment is needed for each dwelling “unit” (a dwelling for one family).“Housing that may be applied anywhere in the City”: you can only build on lands designated for development and you can only build what is zoned for that land (examples: free standing homes or townhomes) and at the density allowed (example: five houses per acre, or maybe 15 depending on zoning).“Agricultural conservation easements”: a restriction you place on the land so that no development can ever take place except for normal agricultural related structures and a single family dwelling unit per existing lot.“City’s Priority Agricultural Conservation Area”: this is an area of farmland identified in the 2014 Agricultural Lands Preservation Program and incorporated into the Citywide Agricultural Lands Preservation Program. It is essentially all in the Southeast Quadrant area. Still with me?So in simpler terms: if you protect priority agricultural lands you can build anywhere in Morgan Hill where allowed, without going through the RDCS competition. However you must protect an equal area of farmland that you propose to build on (one-to-one in acreage) and you must still receive a passing score of at least 80 percent in the RDCS competition criteria; you just don’t have to compete or wait for the competition, which takes place only once a year.A developer skips competing for allotments, which makes life easier for them, AND the region gets agricultural lands protected in perpetuity from development. Looks like a win-win here.This is almost exactly the opposite of what Mr. Grzan is saying—and there is no way that Measure S implies that we can build outside of the city limits. We can’t, and Mr. Grzan knows that.We need to be careful what we say in public and the letter by Mr. Grzan either indicates that he is not at all familiar with the document and commonly used terms, or is intentionally misleading potential voters. His stint as a councilmember should have educated him to the meaning of everything I repeated here.Please check out the included snapshots of Mr. Grzan’s comments on social media that expand on his assertions. I leave it up to you to decide what his intent is.Thank you for your time, and please read the Measure S document and ask real questions of those who are informed.John McKay is a Morgan Hill resident, city planning commissioner and co-founder of the Morgan Hill Tourism Alliance. This op-ed is a response to the most recent letter to the editor authored by Mark Grzan. 

What an election year this has been. Locally, we’ve seen a noticeable change in the climate of political discourse.There is so much intentional, and I hope unintentional, misinformation out there that it can get difficult for some to a get a handle on the issues.Measure S is the poster child for many of the ills I see in modern Morgan Hill politics (not meaning to diminish other areas of ills). Creating a population cap and how we might get there is tough to do.One thing almost universal is concern for the future. Also universal is the inability to get everyone in a small room to agree, nonetheless an entire community—especially when it comes to our future.We all care about the future of this community. We all care and we put together Measure S to the best of our abilities after what was hundreds of hours of education and discussion for many.The voter initiative that is Measure S may not be perfect but I believe that, except for a few areas where you have to consider the entire document as a whole, it is very well written. Please take it as a whole.What I am now seeing in so many cases regarding Measure S is just a few people saying the same negative thing repeatedly.Much of this discussion is fueled by emotion and misinformation. I don’t usually do this, but I must cite one gross example where a commenter said that Measure S allows 300 units to be developed in agricultural lands. Actually, it states that the development of 300 units in a special “set-aside” can take place within Morgan Hill’s developable areas if there is an equal area protected by an agricultural conservation easement on prime agricultural lands within a specified area.There is a lot of this kind of thing going on so we must be careful about what we hear and verify it for ourselves. Please remember that no matter how comfortable we feel trusting others that they have done their research on an issue, do the hard work of researching important issues and protect your vote; it is your vote, after all.A dear friend once told me you can’t change the minds of those who’ve already made them up, so focus on the ones who agree with you to keep a strong base and accurately inform the undecided.For those that believe Measure S is the right document to help us continue our path into what I think is an incredibly bright future, please speak up and support your discussions liberally with facts.We all care about the future. Guess how I’m voting on Measure S.John McKay is a Morgan Hill resident, city planning commissioner and co-founder of the Morgan Hill Tourism Alliance.

Outside Mullingar is a charming offering by the renowned TheatreWorks Company and loaded with award-winning actors, director and playwright. You can’t blink without looking at a prize winner from a Nobel to Oscars, Tonys and you can throw in a Lifetime achievement award. It’s never a question of “will it be “good?” You know if it’s TheatreWorks it WILL be good. So it is with Outside Mullingar, a captivating moment spent on an Irish farm with all of its humor, sadness and life decisions.